Discover, preserve, recreate. A garden is in a state of constant change. Caring for an old garden is therefore not about freezing a state. Instead, it is about getting to know the garden in order to best preserve its various elements for the future.

In his role as a garden antiquarian, André Strömqvist has extensive experience of older environments and, as a gardener, the necessary practical knowledge.

He describes how we can find clues, interpret what we see and set a level of ambition that works. He guides us through the different parts of the garden in the form of flower beds, hedges, stone paths and fruit trees. He describes how we can go about caring for, restoring and recreating the various parts, and lets history in the form of pioneers of older times, methods and cultural varieties arouse curiosity and inspiration.

Photo: André Strömqvist

The tiled stove in Sweden – part two in the series Perspectives from the Engelsberg World Heritage Site.

Until the beginning of the 20th century, the tiled stove remained by far the most important source of heat in Swedish homes. Both the technology and the aesthetics were refined, even though the same basic principle is still used today in tiled stove installations. Today, the tiled stove is an important example of the Enlightenment’s work with technology, science and craftsmanship.

In 1767, the architect and superintendent Carl Johan Cronstedt presented a memorial entitled “Beskrifning på Ny Inrättning af Kakelugnar til Weds Besparing för Rikets råd”. It described a revolutionary construction that would change Swedish architecture and housekeeping for the next hundred and fifty years: the modern tiled stove.

The anthology is part of the series Perspectives from the Engelsberg Mill World Heritage Site. Previously published titles in the series are Tapeter genom tiderna. Future titles will also include Gardens during the age of the mills.

The editors-in-chief are Kurt Almqvist and Svante Helmbaek Tirén.

Agricultural architect Charles Emil Löfvenskiöld (1810-1888) dreamed of reforming the Swedish countryside. A new architecture characterized by both beauty and rationality would combat poverty and misery. Bright, spacious and well-planned houses for both humans and animals were the basis for a humane and prosperous society. Only when the practical was also beautiful was it truly functional.

The purpose of the publication Landtmannabyggnader, hufvudsakligen för mindre jordbruk from 1868 was to disseminate the new findings in affordable and educational booklets with clear drawings and explanatory texts. Today, the work is an architectural classic that has had a major impact on Swedish building culture.

This reproduction is supplemented by an appendix with drawings by Löfvenskiöld’s pupil and longtime collaborator Pehr August Pettersson (1841-1906). They were originally published in his Landtmannabyggnader: ritningar för alla områden inom landthushållningen from 1891, a sequel and tribute to Löfvenskiöld’s classic work.

Historic oil paints in architecture and restoration is a thorough presentation of the composition of the linseed oil paints used in Swedish building painting from the 18th century onwards.

It provides a clear but multifaceted picture of how recipes have varied over different periods and how they have been adapted to different substrates.