EUR0.00
The 20th century damper tassels, which were attached to the damper chains and cords of the tiled stoves, are usually just turned, unlike the 19th century, which really looked like real tassels. We have now produced such a neat 1900s model with fine turning and attention to detail. The tassels are available in two versions, in brass for tiled stoves with brass doors and in nickel-plated brass for stoves with nickel-plated doors.
EUR10.91
Nickel plated brass. Height 34mm, diameter 15mm
EUR10.82
Model: Albert Karlsson Metallfabriksbolag “Ticka Standard”
Period: 1930-1960
An end cap is included.
This model is intended for overlapping doors.
It is placed vertically at the top edge of the door on lower cabinets (as shown), vertically but upside down compared to the picture at the bottom edge of upper cabinets, and horizontally on the side of the door on upper cabinets.
When installing cabinet frames on lacquered cabinet doors, the screws should not be overtightened to avoid cracking the lacquer.
Use a screwdriver instead of a screwdriver.
Screw not included.
Matching screw number 9 for the bolt and screw number 19 for the end plate
EUR11.36
Without striker plate. Used as a handle on cabinet doors with other closing mechanisms, such as magnetic locks or self-closing hinges. The cabinet handle does not have a latch and therefore does not require drilling in the door.
For placement, see article number 5181.
Use screwdrivers, not screwdrivers.
Matching screw number 19
EUR8.64
Making candles is an ancient craft. STHLM’s candle workshop on Södermalm, in Per-Anders Fogelström’s neighborhood and where Liljeholmens Ljusfabrik once stood, carries on the tradition.
Great care is taken to ensure that the candles feel genuine. When the candle mass is warm, the antique candles are carefully molded and shaped by hand.
The long burning time and beautiful flame are the result of the right mix of stearin, paraffin, wax and wick yarn.
EUR9.54
This type of candleholder is sometimes found built into the wall of 18th century fireplaces. The idea is that with the white-glued stove as a reflector, you can create light in an entire room using only a small candle. Candle holders of this type were therefore normally walled into the front or outer side of the fireplace.
If you don’t have one of these candle holders, you can add it later by finding a joint in the wall, carefully drilling a hole and fixing the holder with plaster. Any damage to the plaster can then be painted over with new paint. The candle holder has a forged conical spout where the candle is placed. The spout is just as suitable for today’s standard candles, such as “antique candles” or crown candles, as for old-fashioned tallow candles. The back end of the holder is bent so that the candle holder sits firmly in the wall and cannot be pulled out. If you want to tap the candle holder into a timber wall, for example, you should first knock off this bend.
Hand forged linseed oil fired iron. High quality craftsmanship. Height 9 cm.
EUR69.54
Making candles is an ancient craft. Stockholm’s candle workshop on Södermalm, in Per-Anders Fogelström’s neighborhood and where Liljeholmens Ljusfabrik was once located, carries on the tradition. Great emphasis is placed on making the candles feel genuine. When the candle mass is hot, the antique candles are molded and shaped by hand. The long burning time and the beautiful flame are a result of the right mixture of stearin, paraffin, wax and wick yarn.
4-pack. Stearin, paraffin, wax and wick yarn. Length 40cm.
EUR17.73
2 pairs of handmade candles from Stockholms ljusstöperi.
EUR12.73
Sturdy and strong cane stick of planed pine. Sufficiently strong for you to dare to “grab” and stir in paint cans with heavy bottoms. Long enough to fit cans from two deciliters to three liters. Drilled hanging hole so that you can dry and reuse the stick.
EUR0.91
White or gray hand-turned spill bowl in terracotta clay. The perfect whisk bowl! Also great as a fruit bowl. Available in three different sizes.
EUR29.54 – EUR87.72
Cardboard corners for stiffening corners in connection with new clamping of wallboard, or in connection with renovation of cardboard clamped walls. Provides sharp and smooth corners.
EUR8.18
A much sought after product for loose lampshades for our popular floor lamps. Hand folded from sand colored paper. White on the inside and brown on the outside. Twisted from unbleached cotton.
EUR39.54
A very popular product – loose lampshades for our popular fire fork lamps.
Screen width 22 cm. Hand folded from sand colored paper. Twisted from unbleached cotton.
EUR38.18
Old-fashioned bone glue of the quality once used to glue furniture and musical instruments. Stronger than the bone glue used for glue paint. The carpentry glue is environmentally friendly, contains no heavy metals and is not allergenic. The solvent is plain water and the glue does not dust when dry. Extremely strong, yet easy to dissolve by heating. The carpentry glue is therefore particularly suitable for the restoration of older furniture and objects, and for the new production of quality furniture. Almost all our newly made furniture is glued with this glue.
EUR25.91
Home-woven, sturdy rag rug, old-fashioned narrow and with elements of real cotton rags. The rags are cut from washed fabrics, which is why the rug does not shrink significantly when washed. Inkjet technique with stripe effect in black and white with elements of light gray, blue-gray and green. The colors can vary naturally from weave to weave.
Handwoven. Warp and weft of 100% cotton. Finished hemmed. Length 2.50 m and 3.50 m. Width about 60 cm.
Washing instructions: Machine wash 60 degrees color wash. Shrinkage during washing up to 10% Detergent: liquid linseed oil soap
EUR317.70 – EUR404.05
Carving knife with a spool-shaped birch handle and a blade length of 60 mm in carbon steel.
Professionals who carve and cut have a carving knife in their hand, not a rough working knife. A carving knife takes up no space, is comfortable to hold and the blade is not in the way, as with larger knives. With a carving knife it is easy to “get at it” and it is also ideal for scraping paint.
Tips! Carbon steel is an extremely durable material if you take care of it. Never put a wet knife in the sheath, wipe with a dry cloth and oil if necessary.
EUR22.63
In the past, all lamps had some kind of ceiling bracket or ceiling rose. Porcelain ceiling brackets were mainly used for cobblers’ lamps. The porcelain bracket is mounted on an intermediate wooden bracket. Inside the ceiling bracket there is room for a “sugar cube” and a cord reliever.
Porcelain, glazed. Diameter 62 mm, height 28 mm.
Wooden plate and screw with balled head included. Wooden plate diameter 80 mm, height 11 mm.
EUR30.00
Gustavian dining room chair of a model that was common in the 1780s and 1790s. The original chair is the work of the chairmaker Melchior Lundberg the Elder, who became a master in Stockholm in 1775 and is considered the foremost of all chairmakers.
The chair has many characteristic details. The rectangular back is a novelty of the 1780s, while the openwork baluster tray with its “keyhole” appears already in the Rococo period. The straight lower part of the tray tells us that the chair must be from the Gustavian era, which had a weakness for more straight and strict forms compared to the Rococo. Also typical are the straight sides, the fluted legs, and the smooth “socks” on the legs at the junction with the footrest. A particularly elegant detail is the slightly trumpet-shaped front legs and the extremely well-cut bunch of grapes on the crest of the back.
The Melchior Lundberg chair is, both as an original and a copy, a piece of unique Swedish craftsmanship history. We dare say that there is not a more well-made chair in Sweden at all!
The chair is completely handmade without any simplifications. No square part is straight. All parts are shaped and do not curve, bend or thin out in any direction. All turning is done by hand using the so-called cut-turn method. All planing, even on the curved and bent parts, is done entirely by hand. The hind legs are made in one piece (!), i.e. the turned part is not mortised and glued together with the square post (as is otherwise the case on so-called 18th century copies). This means that the demands on the joinery in a chair like this are extremely high, both in terms of quality and roughness. The chair is of course assembled with hand-carved wooden dowels and glued with animal glue.
Chairs of this quality were often painted marble white (about 1% green umber), or light oak yellow (about 15% yellow ochre, 30% yellow ochre natural). In our exhibition we have also painted some chairs in mahogany color (100% English red) a common color in the late 18th century. The seats were usually upholstered with black leather or black linseed oil painted linen fabric.
EUR999.45
A fine chamber lock, typical of the mid-19th to early 20th century. Well made work with fine details in brass. Equipped with a locking knob to be locked from the inside.
Available in both left and right models. Reversible. Molded key included. Untreated iron.
EUR108.63
A fine chamber lock, typical of the mid-19th to early 20th century. Well made work with fine details in brass. Equipped with a locking knob to be locked from the inside. Available in both left and right models. Reversible. Molded key included. Untreated iron.
Solid chamber lock of the 18th and early 19th century. Highest quality. Available in both right and left versions. Equipped with a night bolt, i.e. can be locked from the inside of a room without removing the key.
EUR1 044.90
