SKU: 5112
EUR15.40 – EUR117.06
| Weight | N/A |
|---|---|
| Size | 0,2 l, 0,25 l, 1 l, 3 l |
| Color | Brown |
1% Unburnt umber is a light color with a slightly nougat feel, reminiscent of white chocolate. A beautiful pleasant color.
Nearest NCS S 1005-Y40R
(The color reproduction on the screen is not 100% accurate).
The matte linseed oil paint is a linseed oil paint with an incredibly fast drying time (four hours), even if you paint it thickly. It does not even wrinkle. It looks like glue paint, but it is so much easier to paint with.
The history of our colors:
Even King Gustaf III fell in love with monochrome walls. During his and the court’s trip to Italy in 1783-84, he was deeply taken by classical painting with elegantly plain walls and borders, often in strongly divergent colors.
In Pompeii, for example, he saw files of rooms in yellow, pink, blue and green, a fashion that he and his architects and craftsmen were then able to introduce in Sweden. We understand that his ideas blew the air out of the then overblown Rococo. Imagine that solid colors could be so beautiful! Imagine that natural pigments could make walls so vibrant! And how harmonious and peaceful it becomes.
The color choices of the late Gustavian era lived on throughout the 19th century. The Charles John era, for example, loved solid colors.
Solid-colored walls received another boost at the beginning of the 20th century, and were also an important element of the sparse functionalist style.
Imagine an elegant manor house in a variety of colors, or a small cottage that suddenly becomes calm and exclusive thanks to the flour-matted, solid-colored walls.
And for those who want to recreate an absolutely definite era, you can combine with stretcher bars in models from the 18th to 20th century.
Or you can paint with stencils (using the same matte linseed oil paint!)
Or why not delineate the ceiling with a gold baguette strip or just a brush stroke in the wall color?
Here you have “Culture in a can”. Just open the can and paint. Not only those who live in a cultural center, but also those who live with latex and fiberglass.
Contents: Cold-pressed boiled linseed oil, solvents and color pigments.
Properties: Quick-drying. Good hiding power. Good adhesiveness.
Intended for: Indoors. Excellent for ceiling and wall cladding. Suitable on wood, cardboard, plaster, masonry etc. Suitable for stencilling. Can also be used as a sanding base.
Consumption: 1 liter is enough for 10 – 12 square meters per application.
Colors: The paint is available in a number of ready-to-break colors. The paint can be broken by mixing the desired colors with each other. The paint can also be refracted with ordinary linseed oil paint, but at stronger refraction than 20% the color can become flammable.
Gloss: Full matt.
Thinner: turpentine balsam.
Suitable painting conditions: Room temperature (the lower the room temperature, the longer the drying time). Good ventilation.
Drying time: Approximately 4 hours. Overpaintable in about 24 hours.
Equipment: Matt linseed oil paint is best applied with a heavy paint brush. Do not roll or spray.
Brush wash: Wash first with turpentine, then with linseed oil soap and water.
Durability: The paint ages only through abrasion, which is why the painted surface can, in principle, be as old as you like.
1% Unburnt umber is a light color with a slightly nougat feel, reminiscent of white chocolate. A beautiful pleasant color.
Nearest NCS S 1005-Y40R
(The color reproduction on the screen is not 100% accurate).
The matte linseed oil paint is a linseed oil paint with an incredibly fast drying time (four hours), even if you paint it thickly. It does not even wrinkle. It looks like glue paint, but it is so much easier to paint with.
The history of our colors:
Even King Gustaf III fell in love with monochrome walls. During his and the court’s trip to Italy in 1783-84, he was deeply taken by classical painting with elegantly plain walls and borders, often in strongly divergent colors.
In Pompeii, for example, he saw files of rooms in yellow, pink, blue and green, a fashion that he and his architects and craftsmen were then able to introduce in Sweden. We understand that his ideas blew the air out of the then overblown Rococo. Imagine that solid colors could be so beautiful! Imagine that natural pigments could make walls so vibrant! And how harmonious and peaceful it becomes.
The color choices of the late Gustavian era lived on throughout the 19th century. The Charles John era, for example, loved solid colors.
Solid-colored walls received another boost at the beginning of the 20th century, and were also an important element of the sparse functionalist style.
Imagine an elegant manor house in a variety of colors, or a small cottage that suddenly becomes calm and exclusive thanks to the flour-matted, solid-colored walls.
And for those who want to recreate an absolutely definite era, you can combine with stretcher bars in models from the 18th to 20th century.
Or you can paint with stencils (using the same matte linseed oil paint!)
Or why not delineate the ceiling with a gold baguette strip or just a brush stroke in the wall color?
Here you have “Culture in a can”. Just open the can and paint. Not only those who live in a cultural center, but also those who live with latex and fiberglass.
| Weight | N/A |
|---|---|
| Size | 0,2 l, 0,25 l, 1 l, 3 l |
| Color | Brown |
Stir well before use.
Repainting:
1. brush the surface clean of dust and dirt.
2. make a first coat, the paint should not be diluted. If you want a different color, break the color already at the first ironing.
3. spackle if necessary. Leave to dry.
4. Carefully sand the filler with fine sandpaper. Cover the filler with a layer of paint. Leave to dry.
5. Iron the entire surface once more. Leave to dry.
Repainting:
1. wash with paint cleaner. Rinse well. Leave to dry.
2. scrape off loose paint. Sand down sharp paint edges and fill in if necessary. Leave to dry.
3. carefully sand the filler with fine sandpaper.
4. Coat the entire surface once. Leave to dry. The paint can be applied thicker than normal linseed oil paint. Do not go back and touch up surfaces that appear to have poor coverage. Full coverage is only achieved when the paint has dried.
ATTENTION! The product contains linseed oil. Rags with linseed oil can spontaneously combust. Therefore, put them in water or burn them.
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