Moving Old Houses is the first book in the series – Building Conservation in Practice.

The book describes, step by step, how the work of moving an old house is done. Documentation, research into the history of the house, marking, demolition and reconstruction. The construction of the log house, from foundation and frame to finishes and permanent fixtures, is also described in detail. The book is compulsory reading for anyone intending to move an old wooden house, but even if you are only renovating a wooden house on site, you will get a lot of valuable advice.

Various principles of reconstruction are discussed, as well as the choice of craftsmen and methods and materials for interior renovation. Invaluable knowledge for those working with older houses.

Houses made of slag – many have never seen them, others stand in awe of the slag bricks that shimmer in blue, green, gray and even change color with the light. Intriguing structures, tiny lumps of iron, charcoal striations – what can’t you find when you take a closer look at the building material? What is it, many people ask today. When were the houses built? Why was cinder block made?

Slagstone is our first artificial building stone, used in ore fields as an alternative to building timber. The forest was needed for the production of charcoal, the fuel for smelting ore and the extraction of copper and iron. The metals were exported, bringing income to Sweden and raising people’s standard of living. Slag was a by-product of metal production. The metals have been sold around the world, the workplaces are closed down and gone – but the slag remains and tells us – about ores and technological development, about heavy manual labor and skilled craftsmanship. No two cinder blocks are the same. Never again can one be made.

DESCRIPTION The book aims to raise awareness of the buildings. The oldest ones date from the 18th century, the youngest from the early 20th century. They are churches or cellars and everything in between. The pictures aim to show how amazing the buildings are and the text provides information about their background, construction and care. The hope is that people will be inspired to take pride in the slag houses and care for these unique buildings, made from a material that is irreplaceable today.

TIP Don’t forget to take a look at our beautiful Bagarstuga in Gysinge, which is built of cinder block.

The tiled stove in Sweden – part two in the series Perspectives from the Engelsberg World Heritage Site.

Until the beginning of the 20th century, the tiled stove remained by far the most important source of heat in Swedish homes. Both the technology and the aesthetics were refined, even though the same basic principle is still used today in tiled stove installations. Today, the tiled stove is an important example of the Enlightenment’s work with technology, science and craftsmanship.

In 1767, the architect and superintendent Carl Johan Cronstedt presented a memorial entitled “Beskrifning på Ny Inrättning af Kakelugnar til Weds Besparing för Rikets råd”. It described a revolutionary construction that would change Swedish architecture and housekeeping for the next hundred and fifty years: the modern tiled stove.

The anthology is part of the series Perspectives from the Engelsberg Mill World Heritage Site. Previously published titles in the series are Tapeter genom tiderna. Future titles will also include Gardens during the age of the mills.

The editors-in-chief are Kurt Almqvist and Svante Helmbaek Tirén.

The Colors of the Garden City explains what is special about the centuries-old cultural environments of Bromma and other garden cities in Sweden. What is it that makes the garden city such an attractive form of living even for modern people? What gives character to the urban plan and to buildings and gardens from eras with different stylistic ideals? Learn the differences between the National Romanticism of the 1910s, the Neoclassicism of the 1920s and the Functionalism of the 1930s.

The authors began their mapping of garden cities in Sweden as early as the 1980s, by producing material with color schemes and character descriptions for typical houses of the time. Parts of the material are now in a permanent exhibition in Måleributiken in Alvik and have been shown at the City Museum 2013-2015.

The purpose of the book is to draw attention to the unique cultural values of the garden city for all of us and at the same time inspire you as a homeowner to learn more about architecture and coloring. A cultural environment needs to be protected and your house needs continuous care and attention. When repairing and renovating your house – make sure you do not damage the house due to ignorance.